I highly recommend it to everyone, to those who love DC, to those who love comics, to those who love to read.Now, all of the Swamp Thing’s early adventures are collected for the first time in SWAMP THING: THE BRONZE AGE OMNIBUS. Such a wise and innovative use of splash pages is not often seen, with peaks that, currently, I find unsurpassed from a scenic and artistic point of view. the visual side hardly marries with the text as happens in these dozens of issues.
Moore is light years ahead, he is in the issues, in his never coarse way of dealing with everything: environmental problems, love, hate, and every emotion or character trait you can think of.Īrtistically then. Events are never thrown there by chance, but always lay the foundations for something that will happen, for an unexpected development or even for a well-liked reminder. All this enters into synergy with a fresh, funny, profound, captivating and modern writing that is still today, despite being a product of the 80s. It is all this and even more, managing to capture the best from the various genres and amalgamate them in a workmanlike manner. Moore's Swamp Thing is not a superhero comic. Circumstances led me to read the entire run (which ends with issue 64) without interruptions, which is not difficult given the quality of the product. For example being three Swamp Thing Absolutes, I would have taken a break between reading the various volumes. It is my habit to break up long readings according to the number of volumes that compose it.
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